North Sea Jazz Festival

Unlike other popular forms of music, Jazz seems to cut across all boundaries, attracting fans without age, race or class distinctions. This was evident from the diverse and enormous crowd that showed up for the 26th North Sea Jazz Festival. The two traits this seemingly unrelated mass of humanity share is a discerning taste in music and a certain knowing twinkle in their eyes, perhaps reflecting some kind of inner at-tune-ment with the essence of jazz.

At the North Sea Jazz Festival, the audience is indeed part of the show. And the lineup of world class jazz, blues, rock, fusion musicians is unmatched anywhere. Friday’s the big opening night and usually showcases the biggest talents. We were not disappointed by the line-up which included George Benson, Herbie Hancock and Van Morrison to name a few.

However the highlight of the evening (for me) was the brilliant set by The Art of Four in the smaller Jan Steenzaal. Featuring Donald Harrison on sax, James Williams on piano, Ron Carter on bass and Billy Cobham tearing up the drums. These veterans showed their stuff on such great tunes as “Alter Ego”, which combined simultaneous tempo and key changes which “altered” the mood time and again.

Herbie Hancock’s Electric Group even included a DJ, which kept the music hopping while a psychedelic light show played from a computer. Herbie noted that certain sounds could be coming from electronic keyboards, a computer, sampled sounds or a vinyl record. His cacophonic yet joyful music made it pointless to try to discern the origin of each note.

George Benson, as always the consummate performer, played many of his hits including Give Me The Night and Turn Your Love Around. I’ve always admired George, not just as a great jazz guitarist, but also as a fine, yet humble person with such a strong belief in the human spirit that clearly permeates his art. He and his music always provide an uplifting experience, and this was certainly the case at the festival.

The number of food and merchandising booths at the festival is amazing. From nasi to tacos, drums to saxophones it seemed like anything remotely related to jazz was available for sale. I was enticed by some souvenirs of the event, and I must commend the management for keeping the vendor scene cool and not a sour note.

Originall held in Amsterdam many years ago, it went to a venue in Den Haag, which quickly became overcrowded. Now the event is held in Rotterdam at the Ahoy, a massive complex.

Concertgebouw


Official home of the Koninklijk Concertgebouworkest, on the Museumplein. A fabulous concert hall well-known for excellent acoustics and free lunch-time concerts for Amsterdammers. I have enjoyed several wonderful concerts there, while basking in the glow of the masters who have played in this venerable hall. The orchestra also holds an occasional concert outdoors on the Museumplein, which has recently been completely renovated.

Beurs van Berlage

Formerly the Stock Exchange, now a performance hall and exhibition space of note for it’s Amsterdam School architecture, since it was designed by the style’s founder, Hendrik Petrus Berlage (1856- 1934). Located right on the Damrak between Central Station and the Dam Square, you can’t miss it’s beautiful clock tower.

Rembrandthuis

The Rembrandthuis Museum is where the famous painter established his own studios here in Amsterdam, and lived with his family from 1639 to 1658.

He eventually left after declaring bankruptcy, and the home has been restored with approximations of it’s original furnishings based on an inventory of his possessions from that time.

Most of the building is devoted to his daily life from the time, and is of course, filled with paintings and art.

Part two of the museum is the new museum wing, where you will find exhibition rooms. The museum shop, the entrance to the museum café, the auditorium and the Rembrandt Information Centre are also located in the new wing.

On the fifth floor is the Rembrandt Information Center, where you can research on DC-rom, in books and other publications. By appointment only.

Info:
Open daily from 10 am to 5 pm, except Sundays and holidays when they open from 1 pm to 5 pm.

Admission is 7 euros for adults, children under age 6 are free, 6 to 15 1.50 euros.

Easily reached from the Waterlooplein or the Dam Square.

Eye Infection

Eye Infection was easily the best exhibition I’ve seen at the Stedelijk Museum. As a longtime fan of R. Crumb and his wildly off the wall comics, characters and visuals, I happily devoured his original ink drawings on display at the museum. These included some of his earliest works as well as samples from his more popular creations, Fritz the Cat, Mr. Natural and Zap Comics. Crumb’s work seduces you with volumptuous vixens, then grosses you out with obscene visions of carnage and violence, then he manages to lay some obtruse social commentary on top of it all. The amazing thing is it works, and you keep coming back for more!

But the real suprise for me, and definitely the centerpiece of the exhibition is the collection of 40 works by Peter Saul. I wasn’t familiar with his art, which spans the 60s to the 90s, but thanks to the awesome display of such excellent canvases, I’m now a big fan. Saul gets his message across in dramatic style, whether commenting on American materialism, American imperialism, or just the human condition. His bright, colorful comic expressions hit you hard on many levels simultaneously. Some, like Saul’s version of the Mona Lisa are irreverent and zany, others like his anti-war paintings are vivid political statements. You can’t help but be moved by Saul’s work. And it seems the artist was gracious enough to include many of his best works from his private collection. A real joy to experience!

Another exhibit, Pay for your Pleasure by Mike Kelley contains 42 lifesize paintings and quotations of poets, philosophers and criminals. The quotes are not the famous ones you expect, but unusual descriptions of the creative or criminal mind. This traveling exhibit adds a self-portrait of a local criminal which then becomes part of the show when it moves on. The 56- year-old Dutchman Jan-Willem van E., who has spent 28 years in prison, was chosen to succeed the American serial-killer John Wayne Gacy.

The last two exhibits are works by Jim Nutt and H.C. Westerman with an American theme. These are fascinating in their own right, but somewhat overshadowed by the other works on display.

This exhibition was in the year 2002.

Art and Culture in the Jordaan

The Jordaan was build at the large expansion of Amsterdam in early 17th century, as a district for the working class and emigrants. The population increase during the next centuries was enormously, caused by the stream political refugees like protestant Fleming, Spanish and Portuguese Jews and French Huguenots who mainly settled in the Jordaan. It was a poor district with small houses and slums, every little room stuffed with families and lots of children. The entire area was one ghetto with open sewers, canals served for both transport and sewer, and no running water. Around 1900 there lived about 80 thousand people, nowadays about 20 thousand.

Rembrandt
The famous 17th century Dutch writer Joost van den Vondel and photographer Breitner lived in the Jordaan. Artists, like the painter Rembrandt van Rijn in his lesser successful period, also came living in the Jordaan because of the low rents. The house of Rembrandt was on the Rozengracht (Rose canal, still a real canal these days). His studio was on the Bloemgracht (Flower canal). The famous painter was buried in a poor mans grave in the Westerkerk (West church).

Monument Care
During the seventieth of the 20th century the city council had serious plans to mainly demolish big parts of the district and replace them for large ugly blocks of modern buildings. There where many protests against this idea. City protectors, such as Monument Care, where against the loss of the historical town and the people of the Jordaan feared for large rent increases. Thanks to this resistance the plan was modified, there came small-scale projects which would repair the neighborhood, without damaging its original character.
Strolling
A large renovation was started. By then the district was discovered by a new generation occupants: artists, students, and young entrepreneurs. The old inhabitants moved to other neighborhoods and cities like Almere. Partly by these new inhabitants the Jordaan has changed from a slum area to a district for artist, still living on low rent, and the rich who bought the very expensive renovated houses. Nowadays the Jordaan is compared to the rest of the town an oasis of peace with a labyrinth of narrow streets and little canals, nice for strolling around courtyards, art studios, and monumental buildings with stone tablets, old-fashioned ‘brown’ pubs, boutiques or galleries.

Markets
There are also some markets in this area. Saturdays you will find the Lindenmarkt (Lime market), a general market, on the Lindengracht (Lime canal) and a biological food market on the Noordermarkt (North market). Mondays you have a flea market at the Noordermarkt and a market on the Westerstraat (West street) with nice fabrics. On the Noordermarkt you can visit the Noorderkerk (North church), designed by Hendrick de Keyser in the 17th century.

Noorderkerk
Many people think that the Westerkerk (West church) on the Westermarkt is the main church of the Jordaan. It’s true that you can hear its carillon and see the beautiful Westertoren (West tower) everywhere in the neighborhood and that the Jordaanfestival is located on his square, but the church is actually located just outside the Jordaan. So the main church of the Jordaan is the Noorderkerk. The Noorderkerk was built in the northern part in 1620-1623 by Hendrick de Keyser and his son Pieter. The church is still in use as a Protestant church, and like the Westerkerk open to everyone, especially during concerts.

Art studios
Hundreds of artist discovered the Jordaan in the 70th because of the low rent of houses in these little streets. The lucky ones are renting a studio in one of these beautiful inner courtyards of the neighborhood. Every two years the artist organize a so called ‘open studio event’. During these days visitors can have a look in the ‘kitchens’ of the artist. There is also a permanent ornamental route called ‘Jewels in the Jordaan’. Past charming alleyways and picturesque canals it leads to gold- and silversmiths.

Courtyards
The Jordaan has a high concentration of hofjes (inner courtyards), beautiful yards with little houses, many of them with restored houses and peaceful gardens. These courtyards were build by rich people for older women; a kind of charity and protection. Beginning of the 70th most of these courtyards was in a very bad shape, like the rest of the neighborhood. After there restoration they were discovered by artist, students and still some older people with special privileges because of a church membership. Some of the courtyards are closed to the public, and only opened on special days called ‘open monuments days’. But if you do come across one of the entrances, and it is unlocked, most residents won’t mind if you sneak a quiet peek. During the summer some of these yards are opened on Sundays during free concerts called ‘hofjesconcerts’.

Stone tablets
Many houses in the Jordaan have a stone tablet, a stone sign that shows the profession or family sign of the inhabitants. For instance a butcher showed a pig and a tailor a pair of scissors, carved in a stone above the entry. During a walk it’s a pleasure to observe those beautiful, when renovated colorful, antique signs. The first stone tablets are made in the 16th century, when citizens were ordered to use these tablets instead of big wooden gables that obstructed the traffic in these narrow streets.
Museums
Most of the museums in the Jordaan are small. You have the Pianola museum with old mechanical pianos, a literature museum of Theo Thijssen, a houseboat museum, and a fluorescent museum called Electric Lady Land. Just on the boarder of the Jordaan you can find the Anne Frank House on the Prinsengracht (Prince canal).

Randy Roy’s Red Light Walking Tour Amsterdam

This tour was highly recommended in BOOM magazine. Randy is a pretty cool guy! This tour focused on the humorous and contemporary stories of the red light district. He kept us entertained by showing us where Quentin Tarantino wrote Pulp Fiction. Eminem and Mike Tyson’s favorite coffeshop. We even saw the club with the darkroom floor that Jean Paul Gaultier passed out on (and woke up stuck to)!
We saw a lot of window prostitutes and learned about X-rated bookshops, live sex shows, magic mushrooms and smart shops. Warning: there was also some Amsterdam history on the tour.We had a lot of laughs and came away with a better understanding of not only the red light district but also the Dutch culture. Highly recommended!

Info:
The meeting point is in front of the Victoria Hotel across from Central Station at 8pm, and 10pm on Fridays & Saturdays.(Damrak and Prins Hendrik-kade). It lasts 90 minutes.

Resevations are recommended!